A buddy of mine wanted an underwater photograph on wood. An odd request that led to uncanny results.
Since then I’ve been experimenting with time, light, and grain in the printing process. I call the result grain cuts.
I refined the printing process after about half a dozen iterations. With archival ink and different kinds of wood, results are mysterious and intriguing. See for yourself.
Six installations are at Juicewest, in Santa Monica, CA. Let me know what you think and thanks for following along.
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